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Showing posts with the label Line by line Paraphrase of the Express by Stephen Spender

A Living God by Lafcadio Hearn

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A Living God by Lafcadio Hearn Short Summary of the Lesson in Three Parts Part I – Summary (≈150 words) The first part of the lesson describes the structure and spiritual significance of Shintō shrines in Japan. These shrines are simple buildings made of unpainted wood with steep roofs and lattice doors. Because they are left unpainted, the wood gradually turns gray under the influence of sun and rain, blending naturally with the surrounding landscape. According to Shintō belief, these shrines are the dwelling places of divine spirits called Kami. Many of these spirits are believed to be the souls of great warriors, rulers, or ancestors who lived long ago. The author explains that the mysterious emptiness of these shrines often creates a strange and supernatural feeling in visitors. Standing alone before such a shrine may give one the impression of being watched by invisible beings. The author even imagines what it might feel like to be a god living in a shrine and receiving prayers fr...

The Express by Stephen Spender

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The Express by Stephen Spender A fter the first powerful plain manifesto  ............................................................... ............................................................. Breaking with honey buds, shall ever equal Due to copyright reasons the poem is not published. Please read the poem in your text book. Keep a copy of the poem when you read the poem source -  English Language and Communication Skills BA III year printed by Hindi Granth Academy Madhya Pradesh Line by line Paraphrase of The Express by Stephen Spender Line 1. After making its first strong and clear announcement of movement, Line 2. The engine’s pistons make their powerful mechanical sound; Line 3. Then, smoothly and without effort, the train quietly leaves the station. Line 4. Without any gesture or politeness, and with calm confidence, Line 5. The train moves past the small houses that stand modestly by the tracks, Line 6. Past the gasworks, and then past the cemetery, Line 7. Where...

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